Category Archives: Reviews

Six Months With A Monster

IMG_4597

Monster 1100 Evo in the KPE tunnel

At one point of time, I started to wonder if I had made the right decision in getting a Ducati Monster 1100 Evo. With all relationships, it takes time to get to know your partner well. If the Monster were a woman, I’d say she was hot-tempered, high-maintenance and unforgiving.

And you know, I’ve come to learn that those attributes makes her the perfect mistress. :)

If you’re looking for a new motorcycle, and been wondering why would people buy a Ducati Monster for daily city use in Southeast-Asia, here are some things I’ve learned in living with her for six months

It takes that long to write a proper review as the bike needs time to run in, and the bike has revealed more of its character to me since I last wrote about it. BTW her name is Sharona, but I just call her Monster most of the time.

I’ve read on forums that the Monster is not suitable as a city bike, but don’t get swayed by those comments. What’s important for any biker is that the bike makes you happy, and I am always happy after each ride with the Monster, despite all the quirks. There are plenty of Monster 1100 Evo technical reviews out there, so this is more of a personal review as a city rider in hot and humid Singapore.

(In the meantime, I’ve also been riding a secondhand Triumph Daytona 675 because I’ve always been curious about a triple engine and whether I could love a pure sportsbike. The Daytona has really helped to put things into perspective for a Monster owner.)

1. Every annoying flaw is overwhelmed by a greater strength. 

I don’t see many Monsters on Singapore roads. Most Ducati owners tend to go for Hypermotards or Panigales. I’m not sure if it’s because the Monster has a rep it cannot live down, or people prefer the newer breeds of Ducatis. But I can tell you it has several niggling flaws that are conveniently negated by amazing strengths.

Flaw: It’s a drudge to go slow on this bike, with the sputtering fueling at low RPMs and constant need to half-clutch on a pretty stiff lever. With most bikes, you can do a sharp right turn on small roads on second gear, but it’s usually first gear on the Monster because the engine might just die on you. Travelling within legal speed limits (60-90kmh) means it’s usually 3rd or 4th gear, with the engine grunting heavily as if you are in the wrong gear. Remember, there isn’t any relaxed cruising speed like a normal street motorcycle.

Strength: The engine was designed to hurl you (strongly, but elegantly I must say) from one point to another. Every time I think I should be riding like a well-behaved gentleman, the Monster engine reminds me to forget it, because I’m perched upon a pouncing lion (ok, lioness). While a retro bike like the Triumph Bonneville demands that you ride it with a certain politeness, the Monster insists that you change your riding style dramatically. See that red traffic light there? It’s your start line before the next blazing burst of power.

As said by the late Kevin Ash: “What no (inline) four does is punch like the 1100 when you turn the twistgrip in the engine’s midrange. It fires forward with a force that makes a mockery of the 99bhp output, partly because the bike is very light but simply because this is one of the few bikes that makes most of its urge at speeds normal riders use on normal roads.”

IMG_5363

Feeling lonely in the Takashimaya basement carpark.

Flaw: The fuel tank is really low capacity at 13.5 liters. That means that with a fuel consumption of 14-17 km/l (yes, it’s that hungry), the fuel warning light will pop up after about 120km or 140km of travel. Luckily for me, my office commute is just about 10km each way, so I don’t have to top up except on weekends.

Strength: The tiny fuel tank does help reduce the wet weight of the Monster, making it one of the lightest literbikes in the world – It’s only 169kg dry, and 188kg wet. Compare that to my old Ninja 250R, with a fraction of the power, but 170kg wet. So while the engine requires a lot of firm handling, reining in the Monster is made alot easier by not having a behemoth kinda weight to push around. This means that the Monster is extremely agile – you just gotta have the guts to lean over if needed, and it goes where you tell it to go.

2. Try not to break the law.

While most superbikes these days can easily hit 100kmh within three or four seconds, it’s how you get there that counts. My Triumph Daytona’s triple engine has a linear torque curve, meaning that it will obediently and steadily accelerate under your control. I would imagine the Triumph Street Triples, which use a similar engine, behave in the same way.

The Monster isn’t just capable of getting to 100kmh easily, it insists that that’s the correct speed to be from the get-go, and after that, all the time. The massive pool of Torque (with a capital T) feels like it’s available at any time and while expert reviewers complain of a RPM redline limit that comes early, hey, I’m not track riding here.

So if you treasure your hard-earned Class 2 licence, you have to really hold it back and let the engine growl harder than one is comfortable with all the time to avoid getting summoned on the roads. That means that while it’s easy to maintain at 80kmh on the Daytona (or at 70kmh in the stuff Kallang-Paya Lebar KPE tunnel), the Monster sounds unhappy all the way, and it does take a while to get used to this character trait.  As long as the RPM remains above 4000, I know the Monster’s engine is going to be ok even if it is grumbling loudly.

Of course, you will always find chances to let the Monster breathe hard, but I don’t need to tell you how to. (wink)

IMG_5404

The Monster in a quiet stretch at Potong Pasir.

3. It’s drop dead gorgeous, even after six months.

No matter how beautiful a woman is, she’s going to age.

Not a motorcycle.

The Monster is such a classic beauty that I can never get sick of looking at it, or taking photos of it whenever the scenery is good. While I have deep respect for the older Monster models, this particular model outshines all of them in aesthetic balance and energy. While modern superbikes like the Kawasaki Z1000 and Honda CB1000R is all about Transformers-like design with multiple body segments, the minimalist shape of the Monster appeals to a wider swath of art critics. With nothing much apart from the tank cover to polish, it’s easy to maintain its looks too.

The other fun bit about the Monster’s gorgeous design is that the profile is relatively slim and you can squeeze between cars easily at traffic stops. Then proceed to give the drivers a heart attack as you blast off like a bass-heavy rocket.

But you have to swap out those original mirrors first, which look like wide rabbit ears. They are very functional but they take up too much space and make the Monster look a little like an Animaniac. I replaced them with a pair of aluminium Rizomas.

4. It’s hot, but it’s still ok

Before I bought the Monster, a colleague warned me that her sisters had abandoned their Ducatis because they were too hot. Well, I have a photo of my seared thighs after a particularly hot afternoon doing several short trips in the Ubi area with the Monster. So I thought that the Monster was a furnace. Well, that until I sat on the Daytona and got seared even worse by the exhaust pipe that goes under the legs and under the rear seat.

Singapore’s a stupidly humid place, and the Monster needs some careful heat management – ie. stop as little as possible, even during traffic jams, and you’ll be ok. I guess that’s the same with most Class 2 bikes.

5. There’s no real need to mod it.

I confess I went a bit wild when modding my old Ninja 250R, but that was because I found many cosmetic things I could improve on. I’ve been studying all the modding options available for the Monster and I’ve concluded there’s nothing much I can do to improve its timeless looks, and I don’t need extra performance since it’s already overkill on the roads. I also think the stock pipes look better than the Termignoni aftermarket exhausts.

I did remove the mini flyscreen and replace it with the stock naked dashboard cover, for a more retro look.

Also, the roads are teeming with LTA inspectors on bikes these days, and after learning my lesson with the Ninja’s unapproved Yoshimura exhaust, I’m happy to leave the Monster alone.

1-50 1100 evo

Gnarly pipes never looked more luscious.

Conclusion: So how?

Like any high-end machine, the Monster is not for everyone. It’s wild, impetuous character is appealing on paper and in media reviews, but I know of many people who just want to have an easy ride on a daily basis. Especially in overcrowded Singapore and other Asian cities where every day is a battle with sweat and bad drivers. Sometimes, I wish I had a scooter or mid-range cruiser just so that I don’t have to deal with an aching left hand, high fuel consumption and a furnace between my legs. I like the 675 engine plenty, and wonder if a Street Triple is a better compromise for street use.

Yet the Monster is like a drug addiction. The guttural growl of the exhaust, the clickety-clack of the engine’s air intake process, and the ability to warp from one point to another at will (just make sure the road is clear first lah). I believe it was never designed to be a work commute bike, but it’s perfectly do-able once you can accept the workarounds like getting to work early before the traffic builds up, or topping up fuel every 100km. I do wonder how the 1100 compares to the lower-capacity 696 or 796, but hey, maybe you can tell me.

The greatest charm about the Monster is how it makes you feel with each ride – so alive and aware of the joys of motorcycling with a machine designed to have fun. As a dad, I put safety above all,  and that means I have to rein in the Monster regularly – it’s just responsible riding. But even within legal limits, the lioness-like nature of the Ducati is undeniable for all to see and hear, and trust me, she’s always your best friend in this urban jungle.

The question is – are you willing to enter this heady affair?

PS: What I also like about being a Ducati owner is that you feel that you’re being taken care of, both by the local distributor Minerva and Ducati’s HQ in Italy. Minerva organizes regular group rides and “appreciation days”, which sadly I can’t join due to busy family weekends, and has friendly staff. Ducati HQ constantly sends email updates to its owners on the latest happenings. It’s a mixture of great marketing and customer relationship management that you won’t find with most other motorcycle brands here (save Triumph Singapore by Mah Motors).

Steinhart Apollon : More than meets the eye

The difficulty about choosing any watch is that it will usually never meet all of one’s criteria for a perfect timepiece. For quite some time now, I’ve been searching for the one watch that fits my personality and my aesthetic tastes. The unintended consequence is that I’ve amassed a small collection of watches (mostly Seikos and G-shocks) that excel in one or two aspects but left me wanting that little bit more.

None of my current watches cost more than a few hundred dollars, since I still cannot fathom why so many premium watches cost the way they do (in the tens of thousands) for the way they are designed (often surprisingly plain to anyone who has a design background). I’m not the kind moved by status or brand power, but by functionality and design. A quick disclaimer is that I’m not a horological expert, but just a guy who likes good gadgets and timepieces are the oldest form of gadgets around.

My criteria for a perfect watch in this phase of my life is pretty straightforward. The watch should be masculine, classical (or rather, timeless), sporty, unique, well-crafted and unpretentious. And I finally found these qualities, give or take a few caveats, in the Steinhart Apollon watch.

Steinhart is a German watchmaking firm that has attained a sizable following in recent years. They released the Apollon late last year, with the unique selling point of offering three interchangeable bezels – stainless steel, bronze and black – in a classic automatic watch design.

At the same time, the watch strap is easily swapped out thanks to the allen key-type screws that is also used for securing the bezels. You can find aftermarket straps at any local watch dealer, but I prefer to go online at Watch Band Center from Germany where the selection is mind-boggling, the prices are reasonable, and it costs less than SGD20 to ship over to Singapore.

So if you are into customizing the look of your gadgets, the Apollon offers an amazing experience in modding that is as easy as putting together a Lego set or Gundam model. In other words, the Apollon is like a Transformer among watches, and you don’t even need to know how to dismantle a watch to get it looking the way you desire.

My friends know that I’m a big fan of modding anything from Xbox chassis decals to my Ninja 250R motorcycle.  Now of course, there have been moddable watches in the past, but few offer the high quality parts like the three bezels that come with this watch.

To complete the package, the Apollon checks all the major boxes for an automatic watch under SGD1,000 – sapphire glass, Swiss automatic movement (ETA 2824-2), Super Luminova on dials, a brushed titanium body, and 300m water resistance. Everything is manufactured with high standards, and it feels and looks way more than it costs.

I purchased it for SGD800 from Gnomon Watches in Singapore, a little high considering the euro SRP of the watch is 440 euro (SGD704) from the Steinhart website. You can order directly from Steinhart itself but do factor in shipping costs.

My favorite bezel, without a doubt, is the bronze piece. Until I purchased this watch, I knew little about the properties of bronze. Then the bronze bezel started to tarnish from the third day and I learned that it was developing “patina” which is a layer that helps to prevent further corrosion. What would we do without Wikipedia?

Patina also imbues the bronze product with a unique vintage look over time, so I guess no two Apollons will look alike after a year. In the photos posted here, the bronze bezel has already developed some patina “stains” and is not as shiny as when I first installed it, but I’m perfectly cool with it.

The bronze form of the Apollon also reminds me of the original Pantheon in Rome, or Mjolnir, Thor’s trusty old hammer. As a big fan of classical sculpture and art, this watch nails it.

My second favorite bezel is the stainless steel piece. As you can see, the watch takes on a completely different look – more like a warrior shield from The Immortals or Captain America’s shield in The Avengers. Coupled with the massive height of the watch (17mm) and the brushed titanium body, the stainless steel Apollon is not unlike the pure chrome Mark II of Iron Man’s armor. It will also pass off as a diver design in this form.

As for the last black bezel, I’m very lukewarm towards it. There are those who like the sports watch look, and this bezel does an okay job. However, it makes the Apollon look a little like the majority of Seiko sports watches out there and does not have the oomph factor in my opinion. This black bezel is not coming out of the dry cabinet anytime soon.

So what’s not to like about this watch?

Firstly, I’m not thrilled about the blue second hand. While the blue color lends the watch a taste of the modern, the watch would have truly gone to the next level had it been a plain chrome or gold color to reinforce the classical look.

Also, the default 24mm wide strap made of Nubuck leather that comes default with the watch is very hard to maintain – the velvety texture ensures that it gets stained a different way each time the watch comes into contact with water. The grey-green color of the strap (you can see it on the Steinhart website) also brings the watch design to an understated level

Luckily, my purchase of the Apollon at Gnomon Watches came with a free 24mm strap and I chose a black leather Rios. I’m still mulling on the Apollon titanium strap that will go very well with the bronze bezel, but it’s pricey at 95 euros.

Finally, the watch is really heavy at 137 grams and I can feel my left elbow developing some extra muscle. The Hulk-height of the watch also means that I have to be careful not to knock it against other objects, and I found my violin string rubbing against the thick strap during practice sessions.

Still, the pros outweigh the cons of the Apollon. My search for the right timepiece has come to an end…for now.

Full Armor Gundam

Full Armor Gundam 05

I purchased this Full Armor Gundam FA-78-1 Master Grade set because Hobby Link Japan was selling it at 40% off at 3000 yen (S$45). I regretted it soon after because it became obvious why this relatively new release (2010) was being discounted so heavily both online and at local retail – the original color scheme of dark green, bright orange and white was not aesthetic and this Gundam was based on the retro RX-78 instead of the more modern/aggressive One Year War version.

But I saw that there was potential in the base design – it had a very rugged heavy armored vehicle design philosophy like my Votoms Scopedog and the decals had a good military feel to them. This Gundam just needed a better color scheme.

Full Armor Gundam 08

So after many days of mulling and color testing, I gave it the Iron Man War Machine treatment – gunmetal grey, copper, dull chrome and some champagne gold on the cannons just to make it a bit more “rich”.

I glued down all the detachable armor parts because they kept coming off anyway (thanks to Bandai’s useless gel sticker approach) and also because I don’t really like the retro RX-78 design underneath all the armor parts. I ordered the waterslide decals from HLJ and spent a long time (over 6 hours) pasting as many as I could – I like decals and you can also call this the Full Decal Gundam hur-hur.

In closing, I’m pretty happy with the end result! If you’re not going to paint this set, I don’t recommend the purchase due to the poor base color scheme. If you are, I think there are many opportunities to make it a really cool Gundam based on your personal color preferences.

Full Armor Gundam 02

As I was taking photos this morning, there was an opportunity to do these mood shots as the morning sun blasted into the living room.

Full Armor Gundam 03

Full Armor Gundam 06

The only downside to using the champagne gold (chrome silver + gold leaf paint) is that the white decals don’t come out so prominently.

Some history on the Full Armor Gundam from the Gundam Wikia.

As the RX-78-2 Gundam continued to score victory after victory against the Zeon forces in the One Year War, the Earth Federation Forces engineers began to devise several different upgrades to supplement and further increase the combat capabilities of the Gundam. The upgrade program, called the Full-Armor System and Weapon System (FSWS), developed several options packs to increase the Gundam’s already considerable power. One of these designs was the Gundam Full Armor Type, which vastly increased the Gundam’s firepower and armor.

However, due to the Full Armor Gundam’s massive increase in weight, it suffered a sharp drop in mobility which the new thrusters could not sufficiently compensate for. It was deemed that the loss in speed and maneuverability would be unacceptable and the Gundam Full Armor Type never left the development stages. The Gundam Full Armor Type would never be built, and only existed on paper. Although the FA-78-1 Gundam Full Armor Type was deemed to be a design failure while it was still in the planning phases, the Earth Federation continued to design new upgrades to for the RX-78-2 Gundam under Full-Armor System and Weapon System (FSWS) program.However the plans for the unit would later be used as the basis of creating the FA-78-2 Heavy Gundam.

The death of the Transformers

I had little choice but to watch Transformers 3 : Dark Of The Moon. The kids wanted to watch it, and I wanted to watch it.

For them, it was part of the essential pop culture ritual of their childhood. It’s the Star Wars of their generation.

For me, it was to see if Michael Bay would redeem himself from the mess that was Transformers 2: Revenge of the Fallen.

Sadly, Michael Bay proved that a leopard cannot change its spots – TF3 was a rehash (albeit energetic one) of all the major action scenes from the first two movies, as well as all his other blockbuster movies. And for me, it was a final nail in the coffin for a great franchise that we’ve known and loved since the early 1980s. Here’s why:

The Transformers is not just about Optimus Prime and Bumblebee

I’ve never understood the heavy weightage placed upon Bumblebee in the Bay movies. In the cartoon, he was always one of the weakest Autobots, and his only role was to be Spike Witwicky’s friend. For goodness sake, he was a obsolete VW Beetle.

Ok, so perhaps in the first movie, the major theme was about A Boy and His Robot (ala Harlon Ellison’s A Boy And His Dog). By the third movie, there was no real relationship left between the yellow bot and the perpetually annoying Shia LeBeouf. Yet the emphasis on Bumblebee continued, even though no fan really gives a hoot about him. Meanwhile, other great characters like Jazz and Ironhide with way more personality are killed off flippantly in the movies.

And to add to that, the Bumblebee toys are awfully difficult to transform. More on that in a while.

The same goes for Optimus as well. The kids of today don’t realize it, but Optimus was killed off in the very first Transformers cartoon movie. I suspect the cartoon writers felt that Optimus was too one-dimensional and needed to be replaced with new leadership (ie. Rodimus Prime). It was a shocking development for us kids then, but man, everyone remembers the death of Optimus till today. When they resurrected him time and time again, it got boring – let the dead lie dead please.

Nevertheless Optimus is always a big fan favorite and has been featured in just about every Transformers spin-off or series.

My point is that these two Autobots do not an entire series make.

There are so many great Transformer characters and storylines on either side of the battle lines. The Bay movies have avoided any focus on the relationships between the Transformers, both within and between the factions. The love-hate relationship between Optimus and Megatron was hardly explored, what more the tension between Optimus and Ultra Magnus, the competition between Blaster and Soundwave (and their respective cassette tape minions), the dumb anger of the Dinobots, the constant quarrels between the Constructicons…the list goes on about the many dynamics from just the very first cartoon alone.

Instead Bay chose to focus on the humans, perhaps to save some CGI budget. Unfortunately, the humans in the Transformer movies have never been impressive or endearing. And when gigantic robots are hitting the hell out of each other, what contributions could puny humans possibly make?

What was sad to see in TF2 and TF3 was how Megatron was written as a “by-the-way” character, or used as a deux ex machina to close a plot loophole. How can you treat the biggest schemer on Cybertron as a cameo? Why would Megatron even bow to the Fallen, given that his ego cannot take the damage?

Less Is More, Especially With Robot Design

What upsets a lot of fans till today is the overly complicated and ugly designs of Bay’s Transformers. Very organic in nature, the bots come off looking more like insects than majestic robots.

And the transformations are now way too complex. One great part about the early cartoons was how gracefully the bots would transform from one form to another. I’m pretty sure they designed the toys before the cartoon characters, and the simplicity shows.

In the movies, the characters were designed to be as difficult to transform as possible, and that also led to an entire series of poorly designed Hasbro toys. The irony is that the Transformers has always been a glorified commercial to sell more toys but the movies have just turned me off the toys instead. I told Isaac that we won’t be buying any more Transformer toys until they get easier to manipulate. I usually struggle up to 30min just to transform a simple Level 3 Transformer figurine.

If you don’t believe me, just head to any OG store these days and you’ll see the big Starscream toy being cleared at bargain prices. The original Starscream was a beautiful copy of the F-15 eagle, in primary American colors no less. The Bay Starscream is an ugly grey Raptor that transforms to an even uglier and dull-looking robot.

The awesome Starscream Masterpiece edition of the original 1980s design.

The Bay version of Starscream. The design ugliness is obvious to any human.

Even today, adults get excited over original Transformer designs such as Soundwave, Devastator, the Aerialbots, Bruticus Maximus and so on. They were simple, but they were always impactful.

There Is No Kindness In This Movie

Call it 1980s simplicity, but the Autobots hardly set out to kill anyone. In the movies, the good guys have become so brutal and unforgiving – Optimus stabs, rips out heads and spinal columns, dismantles faces and so on, with no remorse at all. He is even willing to do in his teacher Sentinel Prime without a pause. Optimus is no hero here, he has simply become an angry robot.

When the good guys do not forgive, what are we teaching our kids?

 

 

 

A journey with the Space Battleship Yamato

yam12

OLYMPUS DIGITAL CAMERA

For better or worse, I tend to go overboard with my hobbies. What was supposed to be a dalliance with photography turned into a full-time job. My love for tinkering of PCs has kept me working with, and currently, in the IT industry. And about a year ago, I started to get fascinated with Bandai model kits and now I have more paint bottles and unopened model kits than I can keep track of.

I’ve been trying out various grades of Gundam model kits to develop my airbrushing and assembly skills. But when I found this Space Battleship Yamato 1/500 scale model kit, I knew that this would be the one kit to pour all my learning into.

Now let it be clear that I don’t really like battleships, whether they are WWII models or even Star Destroyers. It’s more fascinating to admire the small planes that take up space on a carrier (eg. Tomcat, Phantom etc). And I remember building a few ship models when I was in primary school and hating the whole gluey mess along with ridiculously small parts.

But the Yamato is different. For one thing, this formed part of our childhood memories. Our generation of boys watched dozens of iconic Japanese cartoons when they aired randomly on SBC’s Channel 8 during the 1970s and 1980s. With little to do in the house in those days before the Internet or Xbox, one could spend hours just watching different anime dubbed in Mandarin. And the unique mix of a traditional Japanese warship with futuristic space cruiser elements really sticks in the mind for decades.

yam16

Bandai cashed in on the Takuya Kimura movie vehicle late last year with this new plastic model kit that stretches across 70cm in length. Before I started on the kit, I looked around the Internet to see how others had built their versions. Without painting, the kit looks like a big piece of flat plastic. OK, many different pieces of plastic.

OLYMPUS DIGITAL CAMERA

But I also wondered how much “realism” or weathering effects to give this baby. As I’ve gotten more into this “gunpla” hobby, I have observed that too many people spend big money on kits and airbrushing systems without understanding the basics of aesthetics.

For example. I would look at some of the showcase models at some of the hobby shops in Singapore and shake my head at the over-Gundam shading done on beautiful models. Less is more, folks. In my case, my background in art and photography does help me visualize the final look of my kits.

Now while I would prefer a cleanly painted and glossy robot that looked like it just stepped out of the factory, the Yamato demands a dirty or aged look. The anime and movie are set in dire times for humanity, and the Yamato first emerges from its underground factory, breaking through concrete and mud. A flat coat of paint would not give the Yamato the character it deserves – so there was not much choice but to give it gradated airbrushing and further washes of grey to bring about the post-apocalyptic look.

P6046375

P6056380

This project took about three months, or perhaps eight to ten man days. A lot faster than the last Votoms Scopedog project that took nearly a year thanks to prolonged procrastination.

Overall, I would say that the Yamato is relatively easy to build until you come to the small parts. On some turrets, some plastic pieces broke off (combination of thin plastic parts and several layers of paint) and I either glued them back or just threw them away. The nice thing about a “weathered” look is that you can always claim it was “battle damage” when it comes to missing or broken parts.

yam20

On one hand I was terrified of losing the tiny turret parts (there are about 34 turrets if I counted correctly). On the other hand, pressing them into the main ship body really caused my fingertips to hurt, and a few other hull parts cracked in the process.

The other difficulty I had was deciding what shade of medium blue to use. The red was easy – just go for a screaming red tone like a Ferrari. The blue was tough because if you go for the default blue that the plastic was moulded in, the whole ship looks too dull. A lighter blue would allow for more details to be called out, but would not contrast well with the red lower hull. Personally I think I could have used a deeper shade of blue but what the heck.

The other odd thing I noticed was during the final panel lining stage, using black enamel paint to wash over the base acrylic coats. With the semi-glossy red portions, it was easy to remove excess wash with thinner. With the dull blue portions, the enamel paint was very hard to remove with enamel thinner so I had to work fast and use it to create more weathering effects like vertical streaks across the hull. Perhaps I had to coat the entire ship with a glossy coat before I did the panel lining.

Oh well, live and learn. Enjoy the pics, taken with my trusty Canon 5D. Which I had trouble taking in my cramped HDB apartment because this ship is just so long!

yam19

yam21

yam18

yam14

yam17

Olympus XZ-1 review

xz1 jp 1

The Olympus XZ-1 incorporates the most classy design elements of its Canon and Panasonic competitors and has an amazing lens to match. (Image from Olympus Japan)

Updated 1 Feb with a new gallery of evening shots

Updated 5 Feb with more thoughts on the camera (no, I still love it)

I always tell people that I’m a Canon fanboy, but my first serious camera was actually an Olympus mju II compact film camera. You know, the one that came with a rock-solid 35mm f2.8 lens.

Olympus-mju-II

The good ole mju II from the film days.

I brought this small mju with me for a Nepal trekking holiday in 1998, and it turned in consistently great images even though I was untrained in photography then.

These days, I often have mixed feelings about Olympus. It sometimes demonstrates forward thinking in its products and really focuses on great image quality, but is often let down by its inability to follow up on a good thing. Or perhaps is just saddled by a poor marketing (read to the end).

Two years ago, Olympus created a whole new target market with the Pen series of Micro Four Thirds, but since then has lost momentum to Panasonic (GF series) and Sony (NEX series).

I love my beautifully designed EP-1, wrote extensively about it, and still use it weekly 18 months after I bought it. But the lack of prime lenses has dampened my enthusiasm for the system.

Olympus seems to think that coming out with cheaper bodies like the EPL1 and EPL2, or even fancy decals, will help its fortunes, but doesn’t seem to get it that the Pen series just needs a solid range of professional-grade lenses (ie. more bright aperture fixed lenses like the 17mm f2.8 instead of consumer grade zooms) to beat the competition.

Even as a faithful owner, I don’t think the Pen series is going to win the hybrid camera war with today’s state of affairs.

Now Oly has another shot at industry greatness, and that’s in the high-end compact camera segment with the new XZ-1.

xz1 jp 2

Image from Olympus Japan

Continue reading

BAM! A new home for Sombre Jack

bam 01My new Bam! violin case in gorgeous metallic blue.

The first violin case that came with the purchase of Sombre Jack in 2001 was pretty compact and light, but had cheap plastic parts and really horrible, uncomfortable thin backstraps. That lasted for until this year when one of the violin instructors accidentally stepped on the case during the school concert and broke the clasp. Not a bad lifespan for a bundled casing lah (but it costs over $200 if you buy it separately!)

I then spent over $270 to get a more durable case that was made in Korea. It’s tough alright, but being a big rectangular block with many zips and straps, I got pretty fed up carrying it around town. It was just too bulky, despite providing top notch protection and having plenty of storage space.

So I put in a reservation for a Bam! Hightech Contoured (2002XL) case, which met all my criteria:

Super compact in a triangular form factor and easy to carry around.

Lightweight, at about 1.6kg, made of ABS (Acrylonitrile butadiene styrene) material which is something like fibreglass.

Looks uber-cool, I mean, I’m really sick of carrying ugly, boxy looking violin cases, or seeing other people carry them. Most young students have no choice but to carry them, since their parents just want to save money and get the cheapest functional stuff. But hey, I’m an adult, I earn my own keep and if my violin doesn’t look good, I don’t look good. (Still working on the sound quality though!)

The Synwin guys told me that it’s hard to get enough stock from Bam, as their factory stock allocation can be both small and unpredictable. Or maybe because it’s a French sales tactic, since Bam hails from the land of romance and angry writers.

So when Synwin called me yesterday to say that a partial shipment had arrived, I ran down today to their Marina Square outlet.

Upon seeing the case, released in a gorgeous automobile blue hue I had never seen before (I thought it only came in black and silver), I had no qualms forking over S$770, or frigging double the cost of a usual case. Every component is of pretty high quality – even the strap clasps are hardcore carabiners with screw locks (it’s mountain climbing gear quality). I love the two locking clasps, because they are soft-touch yet very secure.

I quickly took pictures of the Bam case because it’s gonna get dented and scratched pretty soon, and I foresee many superhero or Doraemon stickers adorning it in the future. If you’re buying a violin/cello case, I think you’ll like a Bam!

bam 03

bam 04

bam 02